Poladroïd :: Roentgenizdat (Roulette Rekordz)
Poladroïd packs eight lean, muscular tracks with throbbing bass, fat drum-machine punch and just enough EBM grit to keep the whole thing moving.
Recent Posts
Artificial Island :: Another World (Remastered) (Self Released)
Across Another World, Artificial Island keep things measured and textural, allowing minute sounds, gentle rhythms and shifting layers to carry much of the album’s character.
mico nonet :: The Cardboard Falcon (Ninevolt Labs)
The Cardboard Falcon is a profoundly vibrant, impressionistic, cinematic, slow-moving, and melodically oriented neoclassical album that will lead the listener to a state of serenity and contemplation.
25 Years of Igloo Magazine (Evel / Igloo Trax)
This sprawling, sandblasted opus brings together a stellar constellation of avant-garde visionaries—Meat Beat Manifesto, Proswell, Cathode Ray Tube, AZ-Rotator, Rontronik, ΠΕΡΑ ΣΤΑ ΟΡΗ, Scape One, Roel Funcken, Deru, Kindohm, Vytear, and Robert Logan—each sculpting sound into surreal, shimmering form.
Unterm Rad :: The Getaway (Mahorka)
The Getaway could easily have stood on its own, but the remix sequence expands its central idea: fractured industrial sound behaving almost like an alien transmission, constantly mutating through minute edits, glitches, and rhythmic interference.
The Bug / Friday Night Plans :: Ladybug 2 (Pressure)
The Bug’s Ladybug 2 pairs his heavy, hypnotic bass pressure with Friday Night Plans’ hushed vocals, turning six versions of “Miss U” into a dark, immersive journey where dub, shoegaze, and electronic melancholy slowly dissolve into one hypnotic flow.
Philippe Deschamps :: Wind Paths (Silent Sonic)
When the final sound fades, the small white emblem at the bottom of the cover comes to mind. A wave reduced to calligraphy, discreet while the blue occupies everything. Wind Paths works in much the same way: it passes through the listener, leaves behind a faint vibration and entrusts the air with carrying it away.
Ian Hawgood :: Live at Still Point 2026 (Folk Reels)
Hawgood has tied Folk Reels to the idea of a mobile archive, a repository for scattered works, old tapes and encounters. Live At Still Point 2026 introduces a welcome fissure into that archive. To preserve also means admitting loss and giving it an audible measure.
Giulio Aldinucci :: Materia (Karlrecords)
Giulio Aldinucci has made an album that seems acquainted with the unnamed part of human nature, the part that surfaces in sleep or in the few seconds before news capable of changing the course of a day.
Kim Cascone :: Post-Digital Music: Essays (1999–2026) (Silent)
Kim Cascone’s book Post-Digital Music gives sound artists the conceptual thought tools that help open up connective valves between the unconscious and conscious minds, stimulating the growth of imagination. This collection of essays is also essential reading for the continued critical discourse around issues of electronic music production and reception.
survey channel :: Macrozones EP (Self Released)
Macrozones ultimately feels like a succinct collection of lost time capsules, each one preserving a slightly different shade of distant sound, blurred memory, and quiet unease. A sonic pallet worth every minute of our time.
FeLid :: Magic Hour (ato.archives)
Magic Hour is both accessible and deeply experimental with its mutant ambient approach. The sonic palette employs clicks and clacks, echoes, mechanical whirs, lost terrestrial train whistles, melodic forms, shattering forms, and human murmurs, sometimes slowing or speeding up local fields to gain an emotional edge.
Chit Chat with Ben Stokes of Dimensional Holofonic Sound
A veteran of groundbreaking music-video and visual collaborations, Ben Stokes puts his most personal stamp on Dimensional Holophonic Sound (DHS), his singular project blending acid electronics, old-school analog imagery, and experimental video production. Simultaneously, Stokes has built a distinctive career at the intersection of sound, art, technology, and visuals.
Five questions with Somewherecold Records
From its roots as a music blog to a fiercely independent label built around physical releases, Somewherecold Records has grown from Jason Lamoreaux’s love of experimental music into a deeply personal effort to give artists and their work something lasting to hold onto.
Signal_Black :: Disruptive Event (Evel)
Rather than treating glitch as surface decoration, Signal_Black builds an entire skeletal language around it. What emerges is a unified, tightly constructed collection of focused (yet splintered) electronics—one that pushes exploratory sound forward through distortion, fragmentation, and a distinctly futuristic sense of movement.
Recent Posts
Unterm Rad :: The Getaway (Mahorka)
The Bug / Friday Night Plans :: Ladybug 2 (Pressure)
Philippe Deschamps :: Wind Paths (Silent Sonic)
Ian Hawgood :: Live at Still Point 2026 (Folk Reels)
Giulio Aldinucci :: Materia (Karlrecords)
Kim Cascone :: Post-Digital Music: Essays (1999–2026) (Silent)
survey channel :: Macrozones EP (Self Released)
FeLid :: Magic Hour (ato.archives)
