Marco Simioni :: wave_function (Evel)
wave_function ultimately displays an artist working in top form, mapping out a series of experimental electronic terrains that converge into something uniformly disjointed, immersive, and quietly mind-bending.
Recent Posts
Oen Sujet :: The Friendliest Fight We Know (Self Released)
Across its ten tracks, vocals function as much as part of the instrumentation as they do a traditional lead, with Hammerbell and John Winston Phillips giving each song its own shifting character.
mico nonet :: The Cardboard Falcon (Ninevolt Labs)
The Cardboard Falcon is a profoundly vibrant, impressionistic, cinematic, slow-moving, and melodically oriented neoclassical album that will lead the listener to a state of serenity and contemplation.
Funkstörung :: Appetite for Disctruction (Studio !K7)
Funkstörung’s done it again. On Appetite for Disctruction, rattling beats and sweet melodies interact with an artist’s precision. Not only that, but the occasional vocal […]
The Mellowtrons :: DUB da Beat EP (Self Released)
With DUB da Beat, a self-released four-track EP available through Bandcamp, Walker returns to a sound that feels both deeply rooted in his history and wonderfully untouched by time. Massive basslines rumble beneath a haze of dubwise echoes, warped acid squelches, and fractured rhythms, creating a woozy, late-night atmosphere that rewards sinking into rather than simply listening to
Marina Herlop :: Dja Dja (Self Released)
While continuing the legacy and wholly unique style introduced in Nekkuja and in 2022’s breakthrough Pripyat (both released on PAN), Dja Dja, her first self-released album, sees a much stronger architecture and development: almost double the length of its predecessors, the album is configured as an epic, and directly inspired by the monomyth of the hero’s journey.
[2View] Nekomachi/no wonder • なるほど & tsubai/ilulissat (Perceptual Tapes)
These two releases make a particularly effective pairing. no wonder • なるほど explores musical memory, accumulated fragments, and the creative freedom that comes from working within constraints. ilulissat turns outward, drawing on the physical world and translating its impact into an abstract but emotionally direct sonic language. Both favor patience, intention, careful construction, and a willingness to let sounds develop beyond their initial identities.
Vigilant :: Thread of Memories (Glacial Movements)
Vigilant offers here a meticulously crafted and sentient electronic release where processed field recordings interact with dreamily flowing dronescapes. A magical and magnetic feeling rises to the surface, leading the listener to a state of emotional stillness.
Dead Edit :: Signal Loss (Self Released)
Jordan Schmelzer’s debut as Dead Edit, Signal Loss, plunges deep into the industrial undercurrents of IDM, where fractured rhythms, mechanical weight, and ambient collage converge in a dense assemblage of broken beats and digital decay.
Julien Ash + Philippe Neau :: Les allées tourbillonnaires (Mahorka)
Titled Les allées tourbillonnaires, this new release is a shadowy and immersive exploration of sound motifs and sonic details extracted from environmental noises and green-field recordings.
The Winter Residence :: How the Night Falls (Self Released)
Strange storytelling, field recordings dusted in gray, gentle melancholy strings, and tribal electronic rhythms, meet stuttering voices and spell casting as sing-songing in a realm of wondrous enchantment.
Neutrino Effect :: They Shall Bring Death Upon Us (Labile)
Guitar serves as a central thread throughout They Shall Bring Death Upon Us, reinforcing its industrial-rock foundation without overshadowing the electronics. Instead, it cuts through the mix as a defining presence, driven by distortion, rhythmic decay, and patterns that accumulate weight as they unfold.
Anorak :: Convolve EP (Defunkt)
This is music pushing impetus and intention to the extreme, gluing together gorilla-XX fury, experimentation and possibility at the very tip of collapsibility and ruin, remaining just faithful enough to sanity to preserve its musical heart.
Autechre :: Live @ Cabaret Aléatoire, Marseille (Oct 13, 2026)
A disorienting, sometimes brutal experience that demanded we surrender to the music, accepting the limits of our own bodies and senses, resulting in a concert that fully lived up to Autechre’s glorious reputation. Article by: Christopher Mathieu and Georges White
Charlie May :: Trusted Farms (A Strangely Isolated Place)
Trusted Farms retains something of that freedom. It carries it into music that feels more physical, driven by rhythm, repetition and synthesizers with weight, friction and substance. Many parts were played live and barely edited. Lines are doubled, distorted, recorded again, sent through other machines. They remain recognizable. They keep some of their roughness. They breathe. Perhaps this is where the most beautiful part of the album lies.
Recent Posts
The Mellowtrons :: DUB da Beat EP (Self Released)
Marina Herlop :: Dja Dja (Self Released)
![[2View] Nekomachi/no wonder • なるほど & tsubai/ilulissat (Perceptual Tapes)](https://igloomag.com/wp/wp-content/uploads/2026/10/nekomachi-no-wonder-tsubai-ilulissat-tapes_feat-75x75.jpg)
[2View] Nekomachi/no wonder • なるほど & tsubai/ilulissat (Perceptual Tapes)
Vigilant :: Thread of Memories (Glacial Movements)
Dead Edit :: Signal Loss (Self Released)
Julien Ash + Philippe Neau :: Les allées tourbillonnaires (Mahorka)
The Winter Residence :: How the Night Falls (Self Released)
Neutrino Effect :: They Shall Bring Death Upon Us (Labile)
